A Feast for Crows (A Song of Ice and Fire, Book 4)

Few books have captivated the imagination and won the devotion and praise of readers and critics everywhere as has George R. R. Martin’s monumental epic cycle of high fantasy. Now, in A Feast for Crows, Martin delivers the long-awaited fourth book of his landmark series, as a kingdom torn asunder finds itself at last on the brink of peace...only to be launched on an even more terrifying course of destruction.

A Feast for Crows

It seems too good to be true. After centuries of bitter strife and fatal treachery, the seven powers dividing the land have decimated one another into an uneasy truce. Or so it appears....With the death of the monstrous King Joffrey, Cersei is ruling as regent in King’s Landing. Robb Stark’s demise has broken the back of the Northern rebels, and his siblings are scattered throughout the kingdom like seeds on barren soil. Few legitimate claims to the once desperately sought Iron Throne still exist--or they are held in hands too weak or too distant to wield them effectively. The war, which raged out of control for so long, has burned itself out.

But as in the aftermath of any climactic struggle, it is not long before the survivors, outlaws, renegades, and carrion eaters start to gather, picking over the bones of the dead and fighting for the spoils of the soon-to-be dead. Now in the Seven Kingdoms, as the human crows assemble over a banquet of ashes, daring new plots and dangerous new alliances are formed, while surprising faces--some familiar, others only just appearing--are seen emerging from an ominous twilight of past struggles and chaos to take up the challenges ahead.

It is a time when the wise and the ambitious, the deceitful and the strong will acquire the skills, the power, and the magic to survive the stark and terrible times that lie before them. It is a time for nobles and commoners, soldiers and sorcerers, assassins and sages to come together and stake their fortunes...and their lives. For at a feast for crows, many are the guests--but only a few are the survivors.

Series of Unfortunate Events #12

Lemony Snicket returns with the last book before the last book of his New York Times bestselling Series of Unfortunate Events.

10 Second Interview: A Few Words with Daniel Handler

Q: Your Wikipedia (online encyclopedia) entry defines you as author, screenwriter, and accordionist. Is that how you would describe yourself?
A: I find that nothing makes people back away faster at a social gathering than "accordionist." Except perhaps "screenwriter." And, even "author" always makes people nervous, so I usually say "writer."

Q: How long have you been writing?
A: All my life really, since I was able to write all I wanted to do was write. I think largely I ended up becoming a writer because I could think of nothing else that I was good at--at all. As a kid, I always wanted to be a writer, and I had no backup plan whatsoever as an adult.

Q: Are the Baudelaire children ever going to be happy?
A: Well, they are happy on a regular basis, just not for very long. Um, are they ever going to be happy permanently? I don't know any permanently happy people, thank goodness.

Q: Okay, then is the series going to end on a happy note?
A: Well, I always remind readers of the Snicket books that happy is a comparative term, so the end will be happier than some people would think, but less happy than others.

Q: When can fans expect the final book?
A: I believe the thirteenth volume will be released in the fall of 2006, although something terrible could happen to the author at any moment and then the books would not be released at all.

Looking for more from Daniel Handler? Check out his answers to Amazon.com's The Significant Seven.

Knife of Dreams (The Wheel of Time, Book 11)

Robert Jordan lives in Charleston, South Carolina. He is a graduate of the Citadel.

Robert Jordan kindly agreed to take the life quiz we like to give to all our authors: the Amazon.com Significant Seven.

Q: What book has had the most significant impact on your life?
A: The King James version of the Bible. That seems a cliche, but I can't think of any other book that has had as large an impact in shaping who I am.


Q: You are stranded on a desert island with only one book, one CD, and one DVD--what are they?
A: The one book would be whatever book I was currently writing. I mean, I hate falling behind in the work. The one CD would contain the best encyclopedia I could find on desert island survival. The DVD would contain as much of Beethoven, Mozart, and Duke Ellington as I could cram onto it.

Q: What is the worst lie you've ever told?
A: It's hard to think of one since I am genetically incapable of lying to women and that takes out 52% of the population right there.

Q: Describe the perfect writing environment.
A: Any place that has my computer, a CD player for music, a comfortable chair that won't leave me with a backache at the end of a long day, and very little interruption.

Q: If you could write your own epitaph, what would it say?
A: He kept trying to get better at it.

Q: Who is the one person living or dead that you would like to have dinner with?
A: My wife before anybody else on earth living or dead. That's a no-brainer.

Q: If you could have one superpower what would it be?
A: That depends. If I'm feeling altruistic, it would be the ability to heal anything with a touch, if that can be called a superpower. If I'm not feeling very altruistic, it would be the ability to read other people's minds, to finally be able to get to the bottom of what they really mean and what their motivations are.

The Plot Against America (Vintage International)

"What if" scenarios are often suspect. They are sometimes thinly veiled tales of the gospel according to the author, taking on the claustrophobic air of a personal fantasia that can't be shared. Such is not the case with Philip Roth's tour de force, The Plot Against America. It is a credible, fully-realized picture of what could happen anywhere, at any time, if the right people and circumstances come together.

The Plot Against America explores a wholly imagined thesis and sees it through to the end: Charles A. Lindbergh defeats FDR for the Presidency in 1940. Lindbergh, the "Lone Eagle," captured the country's imagination by his solo Atlantic crossing in 1927 in the monoplane, Spirit of St. Louis, then had the country's sympathy upon the kidnapping and murder of his young son. He was a true American hero: brave, modest, handsome, a patriot. According to some reliable sources, he was also a rabid isolationist, Nazi sympathizer, and a crypto-fascist. It is these latter attributes of Lindbergh that inform the novel.

The story is framed in Roth's own family history: the family flat in Weequahic, the neighbors, his parents, Bess and Herman, his brother, Sandy and seven-year-old Philip. Jewishness is always the scrim through which Roth examines American contemporary culture. His detractors say that he sees persecution everywhere, that he is vigilant in "Keeping faith with the certainty of Jewish travail"; his less severe critics might cavil about his portrayal of Jewish mothers and his sexual obsession, but generally give him good marks, and his fans read every word he writes and heap honors upon him. This novel will engage and satisfy every camp.

"Fear presides over these memories, a perpetual fear. Of course, no childhood is without its terrors, yet I wonder if I would have been a less frightened boy if Lindbergh hadn't been president or if I hadn't been the offspring of Jews." This is the opening paragraph of the book, which sets the stage and tone for all that follows. Fear is palpable throughout; fear of things both real and imagined. A central event of the novel is the relocation effort made through the Office of American Absorption, a government program whereby Jews would be placed, family by family, across the nation, thereby breaking up their neighborhoods--ghettos--and removing them from each other and from any kind of ethnic solidarity. The impact this edict has on Philip and all around him is horrific and life-changing. Throughout the novel, Roth interweaves historical names such as Walter Winchell, who tries to run against Lindbergh. The twist at the end is more than surprising--it is positively ingenious.

Roth has written a magnificent novel, arguably his best work in a long time. It is tempting to equate his scenario with current events, but resist, resist. Of course it is a cautionary tale, but, beyond that, it is a contribution to American letters by a man working at the top of his powers. --Valerie Ryan

Anansi Boys : A Novel

One of fiction's most audaciously original talents, Neil Gaiman now gives us a mythology for a modern age -- complete with dark prophecy, family dysfunction, mystical deceptions, and killer birds. Not to mention a lime.

Anansi Boys
God is dead. Meet the kids.

When Fat Charlie's dad named something, it stuck. Like calling Fat Charlie "Fat Charlie." Even now, twenty years later, Charlie Nancy can't shake that name, one of the many embarrassing "gifts" his father bestowed -- before he dropped dead on a karaoke stage and ruined Fat Charlie's life.

Mr. Nancy left Fat Charlie things. Things like the tall, good-looking stranger who appears on Charlie's doorstep, who appears to be the brother he never knew. A brother as different from Charlie as night is from day, a brother who's going to show Charlie how to lighten up and have a little fun ... just like Dear Old Dad. And all of a sudden, life starts getting very interesting for Fat Charlie.

Because, you see, Charlie's dad wasn't just any dad. He was Anansi, a trickster god, the spider-god. Anansi is the spirit of rebellion, able to overturn the social order, create wealth out of thin air, and baffle the devil. Some said he could cheat even Death himself.

Returning to the territory he so brilliantly explored in his masterful New York Times bestseller, American Gods, the incomparable Neil Gaiman offers up a work of dazzling ingenuity, a kaleidoscopic journey deep into myth that is at once startling, terrifying, exhilarating, and fiercely funny -- a true wonder of a novel that confirms Stephen King's glowing assessment of the author as "a treasure-house of story, and we are lucky to have him."